This chapter of Andean Cinema analyzes the persistence of discriminatory media discourses about Andean indigenous peoples in Perú. I investigate the acceptance in the international film market of films such as Madeinusa that “glamourize” indigenous peoples of the Andes while negatively distorting Andean values, legitimizing a discourse of indigenous inferiority and Euro-descendant superiority. I demonstrate how the lack of integrity of all the Andean characters depicted in Claudia Llosa’s film reveals a rejection of Peru’s internal “others,” the Quechua-speaking indigenous majorities, defined as non-human in the film.